@book {3239,
	title = {Decolonial Ecology. Thinking from the Carribean World},
	year = {2022},
	note = {THE 666},
	publisher = {Polity Press },
	organization = {Polity Press },
	address = {Cambridge},
	abstract = {Decolonial Ecology: Thinking from the Caribbean World
Malcom Ferdinand
Translated by Anthony Paul Smith (from French "Une {\'e}cologie d{\'e}coloniale: Penser l{\textquoteright}{\'e}cologie depuis le monde carib{\'e}en (2019)"

The world is in the midst of a storm that has shaped the history of modernity along a double fracture: on the one hand, an environmental fracture driven by a technocratic and capitalist civilization that led to the ongoing devastation of the Earth{\textquoteright}s ecosystems and its human and non-human communities and, on the other, a colonial fracture instilled by Western colonization and imperialism that resulted in racial slavery and the domination of indigenous peoples and women in particular.

In this important new book, Malcom Ferdinand challenges this double fracture, thinking from the Caribbean world. Here, the slave ship reveals the inequalities that continue during the storm: some are shackled inside the hold and even thrown overboard at the first gusts of wind. Drawing on empirical and theoretical work in the Caribbean, Ferdinand conceptualizes a decolonial ecology that holds protecting the environment together with the political struggles against (post)colonial domination, structural racism, and misogynistic practices.

Facing the storm, this book is an invitation to build a world-ship where humans and non-humans can live together on a bridge of justice and shape a common world. It will be of great interest to students and scholars in environmental humanities and Latin American and Caribbean studies, as well as anyone interested in ecology, slavery, and (de)colonization.},
	keywords = {(De)Kolonialisierung, Bruch, Dekolonialisierung, Erde, Feminismus, Frauen, Geschichte, Gesellschaft, Grenzen, Imperialismus, indigen, Kapitalismus, Karibik, karibische Welt. Caribbean, Kolonialismus, Lateinamerika, Machtstrukturen, Mensch, menschlich, Misogynie, Mittelamerika, Moderne, nicht-menschlich, {\"O}kosysteme, Perspektive, planetar, Politik, Postkolonialismus, race, Rassismus, Schiffe, Sklaverei, struktureller Rassismus, Sturm, Symbiose, Technologie, Theorie, Umwelt, Ungleichheit, Welt, westliche Kolonisation, Zerst{\"o}rung, Zivilisation, Zusammenleben},
	isbn = {978-1-5095-4623-7},
	author = {Malcom Ferdinand}
}
@book {3238,
	title = {Reactivating Elements. Chemistry, Ecology, Practice},
	year = {2021},
	note = {THE  665},
	publisher = {Duke University Press },
	organization = {Duke University Press },
	address = {Durham},
	abstract = {The contributors of Reactivating Elements examine chemicals as they mix with soil, air, water, and fire to shape Earth{\textquoteright}s troubled ecologies. They invoke the elements with all their ambivalences as chemical categories, material substances, social forms, forces and energies, cosmological entities, and epistemic objects. Engaging with the nonlinear historical significance of elemental thought across chemistry, the biosciences, engineering, physics, science and technology studies, the environmental humanities, ecocriticism, and cultural studies, the contributors examine the relationship between chemistry and ecology, probe the logics that render wind as energy, excavate affective histories of ubiquitous substance such as plastics and radioactive elements, and chart the damage wrought by petrochemical industrialization. The volume illuminates how elements become entangled with power and control, coloniality, racism, and extractive productivism while exploring alternative paths to environmental destruction. In so doing, it rethinks the relationship between the elements and the elemental, human and more-than-human worlds, today{\textquoteright}s damaged ecosystems and other ecologies to come. },
	keywords = {Biochemie, bioscience, Chemie, ecocriticism, elementar, Energie, Erde, Feuer, Industrialisierung, Kolonialismus, Kontrolle, Kulturwissenschaften, Luft, Macht, Material, Matrix Bodies, Mensch, Natur, Naturwissenschaft, {\"O}kologie, {\"O}kosystem, Rassismus, soziale Form, Technologie, Theorie, Umwelt, Umweltzerst{\"o}rung, Wasser, Wissenschaft},
	isbn = {9781478014362},
	author = {Dimitris Papadopoulus and Isabelle Stengers and Stefan Helmreich and Joseph Dumit and Astrid Schrader and Joseph Masco and Patrick Bresnihan and Cori Hayden and Maria Puig de la Bellacasa and Tim Choy and Michelle Murphy},
	editor = {Dimitris Papadopoulus and Maria Puig de la Bellacasa and Natasha Myers}
}
@book {2943,
	title = {Texte zur Kunst. Property / Eigentum},
	year = {2020},
	note = {Z Texte zur Kunst 117/2020
},
	publisher = {textezurkunst},
	organization = {textezurkunst},
	address = {Berlin},
	abstract = {Mit der M{\"a}rzausgabe zu "Property/Eigentum" gehen wir von der {\"U}berlegung aus, dass dem liberalen Subjektbegriff Eigentum inh{\"a}rent ist. Wie lassen sich besitzindividualistische Vorstellungen durchbrechen, wenn Subjektivit{\"a}t von ihrer Enteignung her gedacht wird? Diese Frage ist umso wichtiger, als dass gelebte Alternativen zu den herrschenden Besitzverh{\"a}ltnissen rar geworden sind. Dieses Heft geht daher den kleinen {\"O}ffnungen nach, wo sich m{\"o}glicherweise dennoch Alternativen abzeichnen - sei es im Modus der Kritik an herrschenden Eigentums- und Selbstverh{\"a}ltnissen oder sei es im Nachdenken {\"u}ber die M{\"o}glichkeit anderer Formen von Eigentum.},
	keywords = {Abolitionismus, Agnes Denes, Aneignung, Anne Collier, Anne Speier, Besitz, Besitzverh{\"a}ltnisse, Delphine Seyrig, Dinglichkeit, Douglas Crimp, Eigentum, Eigentumsverh{\"a}ltnisse, Enteignung, Gili Tal, Hans Haacke, Hito Steyerl, Kolonialismus, Kunst, Le{\'o}n Ferrari, Lucy McKenzie, Martin Warnke, Monica Majoli, Privateigentum, Property, Richard Sites, Simone White, Subjektivit{\"a}t, Theorie, Thomas Elsaesser, Zeitschrift},
	isbn = {978-3946564-15-7 },
	issn = { 0940-9596},
	author = {Graw, Isabelle and Brenna Bhandar and Alice Creischer and Andreas Siekmann and David Lloyd and Kerstin Stakemeier and Tobias Vogt and Hannah Proctor and Tyna Fritschy and Danny Hayward and Aruna D{\textquoteright}Souza and Karina Griffith and G{\"u}rsoy Do{\u g}ta{\c s} and Melanie Gilligan and Mikael Brkic and Nadja Abt and Maite Garbayo-Maeztu and Ben Caton and Elisa R. Linn and Els Roelandt and Martin Prinzhorn and Boaz Levin and Kathrin Bentele and Maija Timonen and Christian Liclair and Cory John Scozzari and Julia Pelta Feldmann and Rosalyn Deutsche and Peter Geimer and Gertrud Koch}
}
@book {2634,
	title = {Kunstforum International 251/2018},
	series = {Museumsboom. Wandel einer Institution},
	volume = {251},
	year = {2018},
	note = {Z Kunstforum 251/2018},
	publisher = {Kunstforum International},
	organization = {Kunstforum International},
	address = {K{\"o}ln},
	abstract = {Museumsboom
Wandel einer Institution

Mit dem Boom an Museumsneugr{\"u}ndungen weltweit hat sich auch die Bedeutung und Funktion des Museums selbst ver{\"a}ndert. W{\"a}hrend am historischen Anfang des Museums die Sammlung stand, ist heute zunehmend das Ausstellen in den Vordergrund ger{\"u}ckt. Das Museum dient heute als Werbeplattform von Marken, betreibt selbst Branding und Franchising, ist Freizeitmaschine, Zwischenlager f{\"u}r Sammler, Zeichen f{\"u}r Wohlstand und den Anschluss an die Welt{\"o}konomie. Dabei entstehen nun auch Kunstmuseen in Regionen wie Afrika und China, wo moderne und insbesondere zeitgen{\"o}ssische Kunst {\"u}ber lange Zeit kaum in entsprechenden Institutionen {\"o}ffentlich zuganglich war. Im postkolonialistischen Spannungsfeld von globaler Vereinheitlichung und kultureller Differenzierung, der digitalen Ausdehnung des Museums ins Internet und dem {\"o}konomischen Wechselspiel zwischen Markt und Museum stellt sich in diesem Themenband die Frage nach dem Zustand der Museumskultur und nach ihrem Verh{\"a}ltnis zur Gegenwartskunst. In den Beitr{\"a}gen der Autoren und in Gespr{\"a}chen mit Architekten, Museumsleitern und den eigentlichen Hauptakteuren des Museums {\textendash} den K{\"u}nstlern {\textendash} wird der fortschreitende Museumsboom vor dem Hintergrund von Globalisierung, Digitalisierung und {\"O}konomisierung kritisch diskutiert. },
	keywords = {14. Biennale von Lyon, 15. Istanbul Biennale, 21. Jahrhundert, 7. Moskau Biennale, Afrika, Alain Bieber, Alexander Kluge, Copyright, Digitalisierung, Dorian Gaudin, Felix Stadler, globale Moderne, Hans Op de Beeck, Hito Steyerl, Jens Piesk, Kolonialismus, Kopien, Louvre Abu Dhabi, Maike Gr{\"u}n, Museum, Museumsarchitektur, Neoliberalismus, Tania Bruguera, Wolf Lieser, Zeitschrift},
	author = {Dieter Bechtloff Hg. and Heinz Sch{\"u}tz and Peter J. Schneemann and Annet Dekker and Martha Buskirk and Alexandra Karentzos and Tobias Wendl and Sabine B. Vogel and Jaewon Chey and Emmanuel Mir and Thomas Hirschhorn and Michael Stoeber and Uta M. Reindl and Magdalena Kr{\"o}ner and Amine Haase and Michael H{\"u}bl and Heinz-Norbert Jocks and Ingo Arend and Roland Schappert and Maria Anna Tappeiner and Petra Noll-Hammerstiel}
}
