@book {3019,
	title = {Performance Studies. An Introduction},
	year = {2020},
	note = {THE 632},
	publisher = {Routledge},
	organization = {Routledge},
	edition = {4},
	address = {London/New York},
	abstract = {Richard Schechner{\textquoteright}s pioneering textbook is a lively, accessible overview of the full range of performance, with primary extracts, student activities, key biographies, and over 200 images of global performance.

The publication of Performance Studies: An Introduction was a defining moment for the field. This fourth edition has been revised with two new chapters, up-to-date coverage of global and intercultural performances, and an in-depth exploration of the growing international importance of performance studies. Among the book{\textquoteright}s topics are the performing arts and popular entertainments, rituals, play and games, social media, the performances of the paleolithic period, and the performances of everyday life. Supporting examples and ideas are drawn from the social sciences, performing arts, poststructuralism, ritual theory, ethology, philosophy, and aesthetics. Performance Studies: An Introduction features the broadest and most in-depth analysis possible.

Performance Studies: An Introduction is the definitive overview for undergraduates at all levels and beginning graduate students in performance studies, the performing arts, and cultural studies.

This new edition is also supported by a fully updated companion website, offering a variety of interactive resources, teaching tools, and research links.},
	keywords = {Global, Interkulturell, Pathologie, Performance, Performance Prozesse, Performance Studies, Performativit{\"a}t, Ritual, Social Media, Soziale Medien},
	issn = {978-1-138-28456-2},
	author = {Richard Schechner and Sarah Lucie}
}
@book {3062,
	title = {Performance Theory},
	year = {2003},
	note = {THE 634
},
	publisher = {Routledge },
	organization = {Routledge },
	address = {London/New York},
	abstract = {Nur wenige haben sowohl in der Akademie als auch in der Welt der Theaterproduktion so viel Einfluss gehabt wie Richard Schechner. Seit mehr als vier Jahrzehnten stellt sein Werk die konventionellen Definitionen von Theater, Ritual und Performance in Frage. Als diese bahnbrechende Sammlung zum ersten Mal erschien, war Schechners Ansatz nicht nur neu, sondern revolution{\"a}r: Drama ist nicht nur etwas, das sich auf der B{\"u}hne abspielt, sondern etwas, das sich im t{\"a}glichen Leben abspielt, voller Bedeutung und auf vielen verschiedenen Ebenen. Auf diesen Seiten untersucht er die Verbindungen zwischen westlichen und nicht-westlichen Kulturen, Theater und Tanz, Anthropologie, Ritual, Performance im Alltag, {\"U}bergangsriten, Spiel, Psychotherapie und Schamanismus. 
_______________________________
Few have had quite as much impact in both the academy and in the world of theatre production as Richard Schechner. For more than four decades his work has challenged conventional definitions of theatre, ritual and performance. When this seminal collection first appeared, Schechner{\textquoteright}s approach was not only novel, it was revolutionary: drama is not just something that occurs on stage, but something that happens in everyday life, full of meaning, and on many different levels. Within these pages he examines the connections between Western and non-Western cultures, theatre and dance, anthropology, ritual, performance in everyday life, rites of passage, play, psychotherapy and shamanism. },
	keywords = {Abhinavagupta, Brecht, Drama, Emotion, griechisches Theater, kritische Theorie, Levi-Strauss, Natyasastra, Osten, Performance, Rasa, Ritual, Schamanismus, Schauspiel, Tanz, Theater, Trance, Voodoo, Westen},
	issn = {9780415314558},
	author = {Richard Schechner}
}
