@book {3086,
	title = {Mierle Laderman Ukeles. Maintenance Art},
	year = {2016},
	note = {AK 2016/30

},
	publisher = {Prestel},
	organization = {Prestel},
	address = {New York/ London },
	abstract = {Queens Museum
Ausstellung, Katalog, Ukeles, Maintenance Art	},
	keywords = {Magic Circle},
	issn = {978-3-7913-5538-2	},
	author = {Lucy R. Lippard},
	editor = {Patricia C. Philips}
}
@book {2558,
	title = {UNDERMINING. A Wild Ride Through Land Use, Politics, and Art in the Changing West},
	year = {2013},
	note = {THE 503},
	publisher = {The New Press},
	organization = {The New Press},
	address = {New York},
	abstract = {Die preisgekr{\"o}nte Autorin, Kuratorin und Aktivistin Lucy R. Lippard ist eine der einflussreichsten amerikanischen Autorinnen auf dem Gebiet der zeitgen{\"o}ssischen Kunst und eine Pionierin auf den Gebieten der Kulturgeografie, des Konzeptualismus und der feministischen Kunst. Gefeiert f{\"u}r "die Breite ihrer Lekt{\"u}re und die Ausf{\"u}hrlichkeit, mit der sie die Dinge betrachtet, die einen Ort definieren" (The New York Times), wendet Lippard nun ihren scharfen Blick auf die Politik der Landnutzung und Kunst in einem sich entwickelnden Neuen Westen.
Ausgehend von ihren eigenen Erfahrungen in einem Dorf in New Mexico und inspiriert von Kiesgruben in der Landschaft, verwebt Lippard eine Reihe faszinierender Themen - darunter Fracking, Bergbau, Land Art, Lehmbauten, Ruinen, indianische Landrechte, den Alten Westen, Tourismus, Fotografie und Wasser - zu einem Bildteppich, der die Beziehung zwischen Kultur und Land beleuchtet. Von bedrohten heiligen St{\"a}tten der amerikanischen Ureinwohner bis hin zur Geschichte des Uranabbaus bietet sie eine skeptische Untersuchung der "unterirdischen Wirtschaft".
Mit mehr als zweihundert pr{\"a}chtigen Farbbildern ist Undermining ein Muss f{\"u}r jeden, der eine neue Art des Verst{\"a}ndnisses der Beziehung zwischen Kunst und Ort in einer sich schnell ver{\"a}ndernden Gesellschaft erkunden m{\"o}chte.

____________________________________________

Award-winning author, curator, and activist Lucy R. Lippard is one of America{\textquoteright}s most influential writers on contemporary art, a pioneer in the fields of cultural geography, conceptualism, and feminist art. Hailed for {\textquotedblleft}the breadth of her reading and the comprehensiveness with which she considers the things that define place{\textquotedblright} (The New York Times), Lippard now turns her keen eye to the politics of land use and art in an evolving New West.
Working from her own lived experience in a New Mexico village and inspired by gravel pits in the landscape, Lippard weaves a number of fascinating themes{\textemdash}among them fracking, mining, land art, adobe buildings, ruins, Indian land rights, the Old West, tourism, photography, and water{\textemdash}into a tapestry that illuminates the relationship between culture and the land. From threatened Native American sacred sites to the history of uranium mining, she offers a skeptical examination of the {\textquotedblleft}subterranean economy.{\textquotedblright}
Featuring more than two hundred gorgeous color images, Undermining is a must-read for anyone eager to explore a new way of understanding the relationship between art and place in a rapidly shifting society.
},
	keywords = {Bodennutzung, Kunst, Politik, Politischer Westen, Theorie},
	issn = {978-1-59558-619-3},
	author = {Lucy R. Lippard}
}
@book {lippard_six_1997,
	title = {Six Years. The dematerialization of the art object},
	year = {1997},
	note = {THE 47},
	publisher = {University of California Press},
	organization = {University of California Press},
	abstract = {In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents{\textemdash}including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists{\textemdash}a historical survey and essential reference book for the period.

Six Years: The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consist-ing of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vague-ly designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones), edited and annotated by Lucy R. Lippard. 

Table of Contents:

Escape Attempts
Author{\textquoteright}s Notes
Preface
1966
1967
1968
1969
1970
1971
Postface
Index
},
	keywords = {Christine W{\"u}rmell, Klartext Berlin},
	author = {Lucy R. Lippard}
}
