@book {2827,
	title = {Animating Truth(s). The Films of Maria Lassnig and Their Context},
	year = {2019},
	note = {AK 2019/07},
	publisher = {Universit{\"a}t f{\"u}r angewandte Kunst Wien},
	organization = {Universit{\"a}t f{\"u}r angewandte Kunst Wien},
	address = {Wien},
	abstract = {<em>Animating Truth(s). The Films of Maria Lassnig and Their Context</em> by Gabriele Jutz examines some of the experimental animated films made by Maria Lassnig, her colleagues and students of the University of Applied Arts{\textquoteright} Studio for Experimental Animation (founded in 1982 by Lassnig and Hubert Sielecki), and films by other international film artists, all of whom share Lassnig{\textquoteright}s attitude to filmmaking in regard to both content (such as issues related to gender, the environment, technological change, and war), and her material approach to media, based on low-tech and low-budget working methods.},
	keywords = {20. Jahrhundert, Animationsfilm, Ausstellungskatalog, {\"O}sterreich, Universit{\"a}t f{\"u}r angewandte Kunst Wien},
	issn = {978-39504431-8-9},
	author = {Jutz, Gabriele}
}
@book {2820,
	title = {Reset the Apparatus. A Survey of the Photographic and the Filmic in Contemporary Art},
	year = {2019},
	note = {THE 581},
	publisher = {Walter de Gruyter},
	organization = {Walter de Gruyter},
	address = {Berlin/Boston},
	abstract = {RESET THE APPARATUS! war ein kunstbasiertes Forschungsprojekt zwischen K{\"u}nstlern und Wissenschaftlern, das Praktiken untersuchte, die durch die Idee des Fotografischen und Filmischen motiviert sind, aber nicht notwendigerweise zu Fotografien oder Filmen f{\"u}hren. Dieses Buch zeigt abweichende und/oder erweiterte Verwendungen von Medien, Kunstwerke, die den konventionellen Apparat oder das Dispositiv modifizieren, umfunktionieren oder sogar demontieren und die unz{\"a}hligen M{\"o}glichkeiten aufzeigen, wie dieser "zur{\"u}ckgesetzt" werden kann.

________________________________________

RESET THE APPARATUS! was an arts-based research project between artists and scholars, which investigated practices that are motivated by the idea of the photographic and the filmic but do not necessarily result in photographs or films. This book features deviant and/or expanded uses of media, artworks that modify, repurpose, or even dismantle the conventional apparatus or dispositif and exemplify the myriad ways how it can be "reset."},
	keywords = {Film, Filmtheorie, Fotografie, Theorie, Universit{\"a}t f{\"u}r angewandte Kunst Wien},
	issn = {978-3-11-063068-8},
	author = {Lissel, Edgar and Jutz, Gabriele and Juki{\'c}, Nina}
}
@book {jutz_cinema_2010,
	title = {Cin{\'e}ma brut. Eine alternative Genealogie der Filmavantgarde},
	year = {2010},
	note = {THE 234},
	publisher = {Universit{\"a}t f{\"u}r Angewandte Kunst},
	organization = {Universit{\"a}t f{\"u}r Angewandte Kunst},
	address = {Wien},
	author = {Jutz, Gabriele}
}
@book {schmied_geschichte_2002,
	title = {Geschichte der bildenden Kunst in {\"O}sterreich. Band {VI:} 20. Jahrhundert. {\"U}berblickswerk},
	year = {2002},
	note = {THE 480},
	publisher = {{\"O}sterreichische Akademie der Wissenschaften, Wien},
	organization = {{\"O}sterreichische Akademie der Wissenschaften, Wien},
	address = {M{\"u}nchen/London/New York},
	keywords = {Geschichte 1900-2000, Kunst, {\"O}sterreich},
	author = {Assmann, Peter and Boeckl, Matthias and Faber, Monika and Feller, Barbara and Gorsen, Peter and Hattinger, Gottfried and Hegyi, L{\'o}r{\'a}nd and Jutz, Gabriele and Klinger, Peter and Koschatzky, Walter and Reiterer, Gabriele and V{\"o}lker, Angela and Welzig, Maria},
	editor = {Schmied, Wieland}
}
